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Bagging the world
Source: Inquirer
Author: Harriet Ann Dy
Date: 1999-05-14
 
Harriet Ann Dy



OF COURSE, you've heard about

Raffy Totengco and his Rafe bag

designs that have become a

fixture in the arms of many of

New York's elite. But Raffy's

creations are not the only

designs that have captured the

fancy of the foreign market.



For the past years now,

twentysomething Sharon

Fletcher-Azanza and cousin Kitty

Kierulf's handwoven abaca bags,

jute carryalls, pandan totes and

tinalak mailman's pouches have

carved a following abroad.



The duo is behind Talimaya Gift and Fashion Corp. (formerly

managed by their aunt, Jojo Zabarte) and has been supplying

their creations to upscale Japanese, American and Spanish retail

chains abroad.



''I've always loved native bags but I could never find ones that

are stylized, that I could wear and feel fun and sophisticated and

not feel like a native,'' says Sharon, a self-confessed bag addict.



In 1993, upon her return from school in Paris, she started toying

around with bag designs as a hobby and was surprised when

buyers came knocking.



But marriage and children followed, and it was only in 1997,

when Laura Ashley placed an order, that Sharon began to have

second thoughts about pursuing the business.



Gradually, she started designing again, producing an array of

designs that meld local materials with classic and trendy shapes

and shades.



Details



''Naturals are big this season,'' says Sharon. ''And everyone still

want pastels.''



More than their chic

designs, both are

proud of the

craftsmanship;

well-sewed double

linings, finished edges

and good quality

leather materials have

become a trademark.



The difference is in the

details. Unlike your

usual pandan totes, for example, Talimaya's pandan pieces are

unvarnished and trendy--with Sharon playing them up with

rooster feathers and pinokpok fringes ? la Tom Ford.



For evening bags, they mix fine, handwoven abaca with lame

threads and use metallic handles for an elegant-trendy twist.

They regularly experiment with colors--their sky blue, baby pink

and butter abaca twine minitotes are winners--and print and dye

on abaca fabric. They also use laminated bark and banig

weaves for handles.



They come out with 60-75 designs per collection twice a year, in

April and October, and won an award of Best Product Collection

from Citem last year.



According to Sharon, Japanese buyers are usually ''willing to

pay for a good, well-constructed bag.'' They like classic designs

in finer fabrics such as tinalak, compared to Americans who are

price-conscious but trendier.



Like the Japanese, Filipinos prefer classic designs. Sharon

notes, however, that perhaps they're a tad too classic, citing

how tinalak mailman's bag gathered dust at Store Company Inc.

(where they sell their overruns) even as it flew off the shelves

abroad. As expected, jute carryalls remain a local favorite.



Also expanding her fashion collection to include bags is young

designer Michele Sison.



Brides



She says she embarked on her current project by accident, when

she had to whip up matching accessories for her brides, some of

whom dressed their entourage in such uncommon colors as

butter yellow and chartreuse green.



For her bride Mimi

Soriano, for example, she

designed a drawstring

satin pouch wrapped in

rayon and used tassles.

For Mita Montinola, she

designed a fringed

pouch.



But it was friend and

publicist Tim Yap's

sprained arm that really kicked off her production. When

Michele bumped into him last February at abg's, he requested

for a more stylish sling that would go well with his outfits. The

result? A leather sling that doubles as body bag. She has

baptized her functional leather bags as ''funkskin.''



In her latest collection, however, Michele has since turned east

for inspiration. ''I love buddhas,'' she says, explaining the

embroidered minibuddhas in her envelope bags.



Roses, peonies and vines are also favorite design patterns. ''A

flower in bloom is a silhouette I've always been attracted to,''

she says.



The bags are mostly in silk or satin, their sharp rectangular

shapes softened by fabrics and feminine patterns. Some are

shaped like a flattened pouch.



Like clothes, each design is available in only three sizes: small,

medium and large.



''I find it funny when petite women carry around big totes, it's

not unlike dragging a maleta,'' says Michele.



For more formal occasions, she has come up with a sleeker,

beaded collection. The embroidery, too, is more ornate. She has

no plans of selling them in stores, they are custom-made.
 

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