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Ilocos Norte as concert destination |
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Source: Inquirer |
Author: Pablo A. Tariman |
Date: 2001-03-16 |
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"TAKE note of that house. Aside from distinct Ilocano decor, it has singers
chanting the Guling-Guling songs. Mark the beat and the rhythm."
Thus admonished Irene Marcos Araneta, the musician, as I boarded a
caromata for judges led by former Miss Universe Margie Moran-Floirendo,
choreographer Ramon Obusan and INQUIRER columnist Bambi Harper.
As Jury No. 4 in the House Decor and Street Dancing contests of the recently
concluded Guling-Guling Festival in Paoay, Ilocos Norte, my mind was not so
much on house decors but on possible concert venues, ideas for an Ilocos song
cycle (in the category of one superbly done by Eliseo Pajaro and sang by an
Ilocano tenor, Noel Velasco) or an orchestral suite inspired by the place.
The Guling-Guling was introduced by Spanish friars in the 16th century as a
way of interacting with local parishioners. Now it has evolved into a festival
where women don their abel (hand-woven clothing material) kimona and
house owners join decor tilts showcasing what is unique about the Paoayeño
way of life.
The festival certainly revealed Paoay’s colorful past—its dances, its delicacies
(dudol), its wine (basi), its folk rituals.
But after going through hundreds of gaily decorated houses and an equal
number of street dancers garbed in assorted abel costumes, my mind was on
Ilocos Norte as a cultural destination. Bambi and I inspected the Paoay Church
(now a UN Heritage Site) and I said what a perfect venue for Mahler’s
"Resurrection."
After a walk on Pagudpud Beach and a breathtaking view of the China Sea on
top of Cape Bojeador Lighthouse in Burgos town, I certainly would want to
proceed to the Luna House in Badoc town where the country’s first violinist,
Manuel Luna (brother of painter Juan Luna), came from. That house should be
transformed into a venue for chamber music to remember the country’s first
violinist who graduated in a Barcelona conservatory of music in the late 1800s.
Old musical glory
Also perfect for theater is the Bacarra Ruins in Bacarra town where I saw old
discarded violins and a dilapidated piano and harpsichord in the parish museum.
Those neglected musical instruments certainly speak of the old musical glory of
this town and I hope the NCCA will do something about them.
"Are you calling the bats?" Bambi Harper asked me as I clapped to test the
acoustics of Sarrat Church. In the company of Margie Moran, we inspected the
church catacombs as I played on my tape soprano Sumi Jo to neutralize a
"bold" pop song ("Sex Bomb") being played somewhere else.
As bats flew in and out of the Sarrat Church catacombs, I told Margie M. and
Bambi H., "Isn’t this catacomb perfect for ‘Giselle’ Act II?"
At the Palazzo de Laoag where we were served exotic Ilocano dishes, the hotel
manager, Nonong Ablan (a confessed frustrated musician), offered his Capilla
Multipurpose Hall as a possible chamber music venue. To one’s surprise, the
hotel has two pianos—a baby grand at the Café Teresa coffee shop and an
upright in the Capilla Hall.
"All you need in this hotel is a concert season and a piano tuner," said Nonong.
Grandeur
But speaking of grandeur, nothing beats the Fort Ilocandia Hotel as another
cultural venue. It managed to capture the Ilocano century-old living quarters
and it sits on a 77-hectare land by the sea.
The grand ballroom has a Yamaha baby grand and the hall itself can
accommodate a symphony orchestra.
What I’d suggest to NCCA and the CCP is to mount a composition and
choreographic competition on the subject "Ilocos Norte Sketches" and the
winning suite should open a season of music and dance in the province’s
different concert venues.
But right now, I could hardly wait to listen to Pajaro’s "Ilocano Song Cycle"
being sang in a recital at Palazzo de Laoag.
How I wish the next edition of the Guling-Guling Festival will feature celebrated
Ilocano artists interpreting Ilocano songs and I hope the festival’s rich folkloric
components will not end in a comedy skit at the town plaza but in an evening of
Brahms and Pajaro at the town’s cultural center.
[ Paoay Church Wiki ]
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